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Google Book Search helps readers discover the world's books while helping authors and publishers reach new audiences. .60^ ALBERTINELLI 85 GIULIANO AND ANTONIO DA SAN GALLO . — Heri DAim Luoke, Giorgioi Uy im the Dohcre series of Kun$t imd KUfutler da MUtela JUerg und der Neuz HL L. de Pontes, ^ude% aur la Peii Uurs Vm^Henne et priiu:ipalrment tur le Ovyrgione. Molmenii, Ouriot Ud di Storim Vem Hana, Jomc, H, Giorg Ume, Cuumito, La Fa- niglia di Oiorgioru da Co MMfro Heo^ Qioma U Areadieo^ 1878. * Morelli finds that Vasari^s ca Uing Oiorgione a stndent of the works of Leonardo is only the result of a narrow patriotism and of a wish to have a U Italian art proceed directly or indirectly from Tuscany ; but M. 600, contradicts Morelirs statement that Giorgione could not have known Leonardo's works. Milanesi ai^eee with Morelli that Giorgione formed himself upon the manner of Giam- bel Uno, bnt it is not too much to say that Giorgione learned largely from both Leonardo and Bellini * Mure Ui is especially enthusiastic over the Sleeping Venus of the Dresden Gallery ; he believes this picture to be by Giorgione, and that it is the one demnibed by the Anonimo as in the house of Jeronimo Marcello at Venice in 1525, as a ** Sleeping Venus with a Cupid in an open landscape.*' Ridolfi also mentions this Sleeping Venus, and says that the Cupid was finished by Titian.
You can search through the full text of this book on the web at |http : //books . com/ ■~^ f RIENOS or THE FOCC it f fl i : FINt ARTS IISRARY • Fine Arts Library given through the generosity of the Harvard Club of Boston LIVES OF SEVENTT OF THB MOST EMINENT PAINTERS, SCULPTORS, AND ARCHITECTS VOLUME IIL LIVES OF SEV OF THE MOST EMINENT PAINTERS, SCUL AND ARCHITECTS BY GIORGIO VASARI BOm D AMD Aim OTATED IN THE LIGHT OF RECENT DISOOVEKIES BT E H. 95 •RAPHAEL OF URBINO 120^ • ANPREA DEL SARTO 284' JACX)PO PALMA AND LORENZO LOTTO . Lacroix^ Betue dm Artg, XXIL, Bru Mels, 186& Chfonan, Zorzon da Co Mttlfranco^ la nta ori- gin Cy la aua mor U e tomba^ Veniee, 18M. Bernlwrd Beren MB, Venetiui Punters, New York, 1894. He adduces the fo Uowing facts : L ei OROIONE DA CA8TELFRANC0 8 always selected for representation the most beautiful ob- jects that he could find^ and these he treated in the most varied manner: he was endowed by nature with highly felicitous qualities, and gave to all that he painted, whether in oil or fresco, a degree of life, softness, and harmony (being more particularly successful in the shadows), which caused all the more eminent artists to confess, that he was bom to infuse spirit into the forms of painting, and they admitted that he copied the freshness of the living form * more exactly than any other painter, not of Venice only, but of all other places. Morelli thinks this the prototype of the Venetian pictures of Venus, and that Gioigione's conception is far greater than is Titian's treat- ment of the same subject.
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The portrait of a voting warrior in blaek armor, in tha Mneeom of Frankfort-on-the-Main, ia attribated to Giorgione. I, for my part, have never been able to understand what they mean, nor, with all the inquiries that I have made, could I ever find any one who did understand, or could explain them to me.Neither the piotoie of the Warrior nor of the Boy can be identified.* Ponibly the doable portrait of two men, one reading a letter, now in the Berlin Oa Uery. 04, note a There ia, however, no testi- mony of solid value to support this conjecture. Ve Bttm, Pinaeo Uehe Mk MH^ Ra Ha (VArchi^io Storks ddt Ar U, YI., p.Whether a book is still in copyright varies from country to country, and we can't offer guidance on whether any specific use of any specific book is allowed. One of the best essays m Walter Pater*s Renaiasonoe is npon Giorgione. Crowe and Ca Taloaselle claim that he was bom III.— 1 2 GIORGIONB DA CASTELFKANCO franco, in the territory of Treviso, and at the time when Giovanni Mozzenigo, brother to the Doge Piero Mozzenigo, had himself been elected Doge ; Oiorgio was, at a later period, called Qiorgione, as well from the character of his person as for the exaltation of his mind : he was of ex- tremely humble origin, but was nevertheless very pleasing in manner, and most estimable in character through the whole course of his life.Please do not assume that a book's appearance in Google Book Search means it can be used in any manner anywhere in the world. fiohaufoss Zmt Beurtheihmg der Oem Mde Oiorgione'i, Dresden, 1874. Triarte, A propoe d'un tableau a Ur%bui au Oiorgione, JBxpo Htio H dm Old Maetert d Londrm, in VArt, XXIX.. AT the same time when Florence was acquiring so much renown from the works of Leonardo^ the city of Venice obtained no small glory from the talents and excdlence of one of her citizens, by whom the Bellini, then held in so much esteem, were very far surpassed, as were all others who had practised painting np to that time in that city. Brought up in Venice, he took no small delight in love-passages, and in the sound of the lute, to which he was so cordially devoted, and which he prac- tised so constantly, that he played and sang with the most exquisite perfection, insomuch that he was, for this cause, frequently invited to musical assemblies and festivals by the most distinguished personages.